With his firmly designed debut, Flemish filmmaker Kristof Hoornaert makes perfect slow cinema. Johan Leysen plays a hermit who leads a self-ntained life in his simple house in the forest. On one of his strolls, he finds a half-naked young man, to whom he offers clothes, food and shelter. Their wordless panionship is put to the test when the police e to the door and the mysterious young man turns out to have mitted a murder. The hermit faces a moral dilemma: should he help him or turn him in? The pure shots are back to basics – a window, the sun, faces – and Resurrection develops into a parable about cruelty in the world. The refined camerawork, in broad Cinemaspe, is by the Lithuanian Rimvydas Leipus, well-known for the films of Sharunas Bartas, and Khadak by Jessica Woodworth and Peter Brosens. With his subdued acting, Leysen provides many clues to fathom his motives. His deeply-lined face tells a story of its own.
与他坚定地设计亮相,佛兰德导演克里斯托夫Hoornaert非常缓慢的电影。约翰·莱森饰演一个隐士,他过着self-ntained生活在他简单的房子在森林里。在他的一个散步,他发现一个半裸的年轻人,他提供衣服、食物和住所。他们无言的panionship考验当警察e的门,神秘的年轻人发现假一个谋杀。隐士面临的道德困境:他应该帮助他或者把他吗?纯镜头回到基础——一个窗口,太阳,脸和复活世界上发展成一个关于残酷的故事。广泛Cinemaspe精制摄影,是由立陶宛Rimvydas Leipus,著名的电影Sharunas但是,和Khadak杰西卡Woodworth和彼得布。抑制作用,莱森提供了许多线索理解他的动机。他布满皱纹的脸告诉自己的一个故事。
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